RYAN STANDER
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      • Photograph Album Vols. 1 & 2
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    • Art 280: Photography I
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  • Home
  • Artist Statement
  • Photography
    • Collodion
    • Florence
    • Bakken
    • Instagram
      • 2018
      • 2017
      • 2016
      • 2015
      • 2014
      • Earlier
    • Elevator Series
    • Topos/Chora
      • About Topos/Chora & PKAP
    • Alternative Processes
      • Cyprus Van Dykes
      • On Wood
      • Cyanotype Landscapes
    • Building Series
  • Printmaking
    • Hints, Allegations, and Things Left Unsaid
    • Visual Analogues
    • American Ideals
    • Contested Spaces
    • The Substance of Things Seen
  • Mixed Media
    • Book Arts
      • Photobooks
      • Photograph Album Vols. 1 & 2
      • MFA Books
    • Archival Turn Work
    • Archival Turn Statement
    • Archival Turn Reception
  • Store
  • Bio
  • Contact
  • Links & Resources
  • Teaching
    • Art 280: Photography I
    • Art 380: Advanced Photography
    • Art 491: Art Seminar
    • Art 492: Capstone
    • MSU Art Department Writing Style Guide
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Photobooks

Picture
Photography and Printmaking make remarkable partners with book arts.  With several projects in the planning stages they emerge here more slowly.  

Photograph Album 1 & 2

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This two volume set carries over the vintage photo-album concept and execution from the two MFA books.  This set however, has the printing in a silvery-black ink directly upon the traditional black pages.  The prints in these volumes suggests theological hermeneutics which  is the study of interpretation and seeks to understand the dynamic roles among the author, the texts themselves, the original readers, and subsequent readers.  With a sense of humor and irony they are intended to be irenic in nature, or a critique  from within the church.

This 2 volume edition with 16 prints per book in a variable edition of four.  While the prints, binding, and coverings will be the same on all 4, the photographs will be different.  

MFA Books

Picture
For the MFA exhibition, I created two distinct photo-albums with vintage photographs.  Each book had multiple pages of lithographs, that when waxed become translucent, that were leaved between the traditional photo album pages.  In doing so, the cultural symbols, collective memories, other photographs, and texts become explicit and obvious in their interaction with the photographs.  It intends to make our presuppositions, cultural biases, and beliefs as active participants in how we view objects.  

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  • Home
  • Artist Statement
  • Photography
    • Collodion
    • Florence
    • Bakken
    • Instagram
      • 2018
      • 2017
      • 2016
      • 2015
      • 2014
      • Earlier
    • Elevator Series
    • Topos/Chora
      • About Topos/Chora & PKAP
    • Alternative Processes
      • Cyprus Van Dykes
      • On Wood
      • Cyanotype Landscapes
    • Building Series
  • Printmaking
    • Hints, Allegations, and Things Left Unsaid
    • Visual Analogues
    • American Ideals
    • Contested Spaces
    • The Substance of Things Seen
  • Mixed Media
    • Book Arts
      • Photobooks
      • Photograph Album Vols. 1 & 2
      • MFA Books
    • Archival Turn Work
    • Archival Turn Statement
    • Archival Turn Reception
  • Store
  • Bio
  • Contact
  • Links & Resources
  • Teaching
    • Art 280: Photography I
    • Art 380: Advanced Photography
    • Art 491: Art Seminar
    • Art 492: Capstone
    • MSU Art Department Writing Style Guide