Formation Matters takes its name from a simple, but evocative play on words. If taken literally, the phrase suggests the relevant topics or concerns relating to formation. Rhetorically however, the phrase implies the overall importance of formation. In a third turn of the phrase, it also hints at the substance or physicality of the artists’ creations through which viewers engage the initial two turns of the phrase.*
This plurality of meaning allows for the same in the directions of work chosen for the exhibit. While all the artwork in some way deals with memory and tradition, it also embodies a variety of conceptual approaches. Both Donovan Widmer and Patrick Luber investigate the dynamic and formative relationships between religion and culture. Whereas Katelyn Reiter and Mary Kocal explore the power of family narratives within their own lives. My own work, and that of Cherith Lundin, raises questions about the ambiguities and possible loss of traditions. Micah Bloom’s recent work on the 2011 Minot flood haunts the space between these two positions as a metaphor by regarding his childhood formation and the passing of the paper book. Additionally, while all artists work from particular traditions and influences, be it media or school, John Kaericher’s work often makes explicit visual ties to his mentors.
In these ways, the exhibit offers another voice into the conference conversations. Building around the theme of Teaching Theology and Handing on the Faith, the exhibition is rooted in the belief that the visual arts can be remarkable catalysts within these conversations, as well as profound symbols and mediations of the Divine. While the church has historically drawn upon the devotional and didactic potential of art, the engagement and contemplation of contemporary art allows divergent points of affirmation and provocation of its traditions.
*The beginning is a modification of Liz Well's introduction to her wonderful text, Land Matters
After a very busy day yesterday with a lot of help from my niece Brittany, the exhibition is up and looks great. The conference starts this evening with the first plenary speaker and people have been trickling into campus. I am so thankful to CTS & Creighton for allowing me this little artistic experiment within a theological conference. I am also in debt to the artists who have shared their work with me and made this a great looking exhibition.
I have put together a hastily edited and unedited collection of images from the show into a gallery below. I will update names and piece titles when I have more time.
Today I am packing the artwork for the Formation Matters exhibition that I have curated for joint meetings of the College Theology Society (CTS) and the National Association of Baptist Professors of Religion (NABPR). This exhibitions represents the culmination of years (since CTS's meeting at Regis in Denver in 2006) thinking and discussions on how to include art into the conference discussions. Back in 2006 the theme was on art and beauty (a natural connection to host an exhibition) but alas no actual visual connection was made beyond the standard conference presentators and presentations (of which I was one).
The Arts Media Literature and Religion section does a wonderful job at providing a venue for discussing such matters. My hope with the exhibition is to dovetail this group and offer a first hand, or primary source, kind of opportunity for conference goers to connect their research and thoughts to the work and vice-a-versa. This year's conference theme is Teaching Theology and Handing on the Faith: Challenges and Convergences. For the exhibition, I have chosen for focus the chosen work on ideas of memory, tradition, and formation (I will say more about these areas in the coming days).
As I mentioned, I have talked to CTS folks about this for a few years now and I am so excited to see it come to fruition. I am so thankful for Creighton and CTS for allowing me to experiment with this little venture. Over the course of the week, I will be posting more updates, information on the artists, and images from the gallery.