RYAN STANDER
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    • Collodion
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    • Bakken
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      • Earlier
    • Elevator Series
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      • About Topos/Chora & PKAP
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      • Cyprus Van Dykes
      • On Wood
      • Cyanotype Landscapes
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    • Art 280: Photography I
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Art Action Day Shopdropping II

1/20/2018

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Another collection of images of our books being shopdropped around the city.
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Art Action Day Articles

1/20/2018

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Below is a list of articles on Art Action Day and other groups marking one year of Trump.

Artists Respond to One Year of Trump With Protest Art
Artists Who Want To Change The World Should Innovate, Not Just Resist
Art Is Essential To Democracy

And a shout out to my friends in Grand Forks, ND putting this on a little event called Punk in the Trump Era....If you are in the area, hit them up. Be sure to ask Bill for his bag/drive of digital goodies


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Art Action Day Shopdropping I

1/20/2018

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Art Action Day Books

1/20/2018

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In collaboration with The Federation's Art Action Day, my students created these small, low-brow photocopier books that commented on some aspect of American culture. Students were to then shopdrop them around the city. Below are shots of every book, every page. Enjoy.
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Art Action Day Preparations

1/19/2018

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In collaboration with The Federation's Art Action Day marking one year since Trump's inauguration, my paperworks class made small collage books that engaged some aspect of culture deemed important to them. The group urges that art is essential to democracy and this little project allows each student to put their voice out into the world on particular topics. Students picked themes of multilingualism, homelessness, immigration, religion, among others.

Students collected collage materials, assembled them into this easily reproducible low-brow book form. We then scanned them, had multiples printed via a photocopier. Students are then to "shopdrop" them around the city. Shopdropping is defined as "To covertly place objects on display in a store. A form of "culture jamming" s. reverse shoplift, droplift." This seemed like a good subversive form of dissemination that connects to the theme of the work and Art Action Day. Students are to then document the shopdropping process with their phones.

Tomorrow, on Art Action Day, I will post images of the books themselves and the shop dropping.

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Wayside Sacraments

11/29/2017

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I did a thing...If you want a copy of that thing, you can get one here.



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For Love of the Arts @ Zion Lutheran - Minot

3/28/2017

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This past Saturday I had the wonderful opportunity to participate in an event put on by one of my students, Cassie Stauffer. As part of her internship with Lutheran Campus Ministries, she organized a Art and Faith event with artists sharing their work, a gallery with Micah Bloom and my work, musical and dance performances, and I got to preach. Well, its not my strong suit, but here it is in all its Facebook Live glory.

I am thankful for events like this...I could have preached on a lot of ideas relating the two worlds of faith and art, but it just happened that the event fell on the lectionary's celebration of the Annunciation to Mary...so there was only one way to go for me...through Madeleine L'Engle's Walking on Water: Reflections on Faith and Art.
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Taube Art Museum Biennial Photo Exhibit

2/21/2017

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Tonight after work I popped in at the Taube to check out the exhibit since I'll miss the reception on Thursday. This is the second photo show that the Taube has put on for local photographers. The collection comes from the lenses of amateurs, students, and professionals. ​Both shows have been nice surveys of what those photographers are looking at...it appears a lot of pretty nature shots and old buildings. I suspect that this is what most people want from photographs...something pretty to put on their wall...likely on canvas, possibly with overwrought HDR and selective coloring. Its fine I guess (well not in my classes its not), its just not very interesting to me. One of my hopes as I teach is to help students see the difference between mere decoration and replication of the world around them and using photography as way to convey ideas. 

Below are shots of my 3 pieces in the show. They are some of the pieces that I made on my Visiting Artist gig down at Northwestern College last month. The work certainly stands out from other work in the show...for one, its 3d. Additionally its not "pretty landscapes, but image transfers, photo-lithographs, and its a mix of original and appropriated imagery on plywood. While I will be at my reception at the University of Dayton in Ohio on Thursday night, I am curious what the general public has to say about the work...if anything. 

My cynical side suspects that those eavesdropping might hear, "Why is that art?", "Why is that photography?", "Why?." Now, if they ask with genuine interest rather than dismissiveness, then the work is partially successful.  
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Visiting Artist at Northwestern College

1/21/2017

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This week I had the privilege of going home to my alma mater, Northwestern College in Orange City, Ia. Not only did I have time with the visiting artist role, it was the opening to my solo show titled Hints, Allegations, and Things Left Unsaid. My goal during the week was to make some work, work with some students, and just enjoy being home again. Overall, I am pleased with the work I was able to make...only more time would have been better. I am thankful for the opportunity to spend time with students and faculty at NWC!
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Henri Cartier Bresson Breaks My Heart Again

10/20/2016

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Today, I am at home watching my son, prepping for digital photography class tonight where we will talk about poetics and photography. The class has several obscure readings from way outside the field of photography to help guide some conversations on seeing. We also will discuss synesthesia, a little color theory, and spend time reading and writing poetry, as well as listening to music (which is where their assignment sends them). 

The writing component is based off of several evocative images that I choose. The above image by Henri Cartier-Bresson is one for tonight. Since becoming a father, this has become an incredibly powerful image for me. I cannot help but to see the embrace, what I interpret as fear in his eyes at whatever is happening off the image to his right. There is something is the structure of his face and look that reminds me of my nephew as well. But the life of my own son makes me consider my own feeble attempts to protect him as he toddles around the home, climbing furniture, braves up to dogs, etc. But my fear is nothing compared to what is happening here. Taken in 1933, this boy, in Spain, cradled in his fathers arms would be 83 or 84 years old now...just a few years older than my father.

I cannot help but to see them, crouched down against that cement wall, seeking shelter, in the light of the photographs of the Syrian refugees and their children...the fear and uncertainty of what lies behind and what remains ahead for them. When I see the photographs of the refugees, I do not see religion or country of origin as I feel many conservatives do. I see humanity struggling for survival, families trying to find a place to be a family. I cannot imagine...and in part, I do not want to imagine what this is like. It is just too hard and tears fill my eyes because I just think of my beautiful son sleeping in the other room and if we were in this situation...it is just too much. And yet I know, that too much of the world lives with these realities. I am spoiled as a white, middle class American. Ive never feared for my life in the way these people have.

This is one of the remarkable things about photography. They have the power to make me cry in my dining room, as I am now. They have power to break us and convict us to action. I am thankful for these images and those who risk their lives taking them. We need them to break us out of our slumber, to find compassion for our shared humanity.  

A few years ago, I was reading Johann Baptist Metz for some conference papers. He argued that the Christian position is not simply praying for the situation, but like Jesus' incarnation into this world, we must enter in to others sufferings. We cannot throw money at the situations, whatever they may be. Certainly money is needed, and it is easy for many Americans to do because they have it. But I believe Christians are called for more. To enter into the struggles physically and emotionally whether that is with the Syrian refugees or with the Standing Rock Sioux on the NDAPL. Yes, it will put your way of life in danger. Are we willing to risk our life to help others better theirs?

​Lord have mercy on us all...those who need help, those who act, and those who fail to do so.

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  • Home
  • Artist Statement
  • Photography
    • Collodion
    • Florence
    • Bakken
    • Instagram
      • 2018
      • 2017
      • 2016
      • 2015
      • 2014
      • Earlier
    • Elevator Series
    • Topos/Chora
      • About Topos/Chora & PKAP
    • Alternative Processes
      • Cyprus Van Dykes
      • On Wood
      • Cyanotype Landscapes
    • Building Series
  • Printmaking
    • Hints, Allegations, and Things Left Unsaid
    • Visual Analogues
    • American Ideals
    • Contested Spaces
    • The Substance of Things Seen
  • Mixed Media
    • Book Arts
      • Photobooks
      • Photograph Album Vols. 1 & 2
      • MFA Books
    • Archival Turn Work
    • Archival Turn Statement
    • Archival Turn Reception
  • Store
  • Bio
  • Contact
  • Links & Resources
  • Teaching
    • Art 280: Photography I
    • Art 380: Advanced Photography
    • Art 491: Art Seminar
    • Art 492: Capstone
    • MSU Art Department Writing Style Guide