RYAN STANDER
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Breadbasket Profanity

8/27/2007

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Picture
Since I was a child I have had a strange fascination with war. I would ask for picture books and check them out of the library as it was one of the few things I would read about. I had youthful plans of joining the military, but what once was a naïve patriotism has in the past 10 years become soundly checked by a growing theology and pacifism. But while I strongly disagree with war, I am still fascinated by its machinery and history.

This summer I had the opportunity to explore a bit further in the beautiful land of our northern neighbor: North Dakota. I had never been much beyond Bismark. But this year brought two trips to Turtle Lake, ND and north through Minot on our journey home. One of the nuggets of knowledge that I grew up knowing was the presence of the nuclear silos across ND. It never really seemed strange to me rather a matter of fact. And yet this summer when we started passing them on the road, they were startling to me. They had been part of my mental understanding of the world but I had never had the opportunity to experience them. What seemed strange was how near they were to the road and family farms. For me, the farm I grew up on is a sacred space and I would imagine that for many in my wife’s family, the homestead is sacred as well. And yet, the missile silo just down the road for them has become a common place. To my pacifist leanings, something like that in my “backyard” would qualify a profane space. A profane space I was still attracted to and would jump at the chance to tour and explore if I had the opportunity. What are we to do with place like this that really can serve little good? Should we consider them as profane because of what is housed in the ground? or because of what it represents? or has the potential to do? If this place is profane, can it be redeemed? And then how?

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    Ryan Stander

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  • Home
  • Artist Statement
  • Photography
    • Collodion
    • Florence
    • Bakken
    • Instagram
      • 2018
      • 2017
      • 2016
      • 2015
      • 2014
      • Earlier
    • Elevator Series
    • Topos/Chora
      • About Topos/Chora & PKAP
    • Alternative Processes
      • Cyprus Van Dykes
      • On Wood
      • Cyanotype Landscapes
    • Building Series
  • Printmaking
    • Hints, Allegations, and Things Left Unsaid
    • Visual Analogues
    • American Ideals
    • Contested Spaces
    • The Substance of Things Seen
  • Mixed Media
    • Book Arts
      • Photobooks
      • Photograph Album Vols. 1 & 2
      • MFA Books
    • Archival Turn Work
    • Archival Turn Statement
    • Archival Turn Reception
  • Store
  • Bio
  • Contact
  • Links & Resources
  • Teaching
    • Art 280: Photography I
    • Art 380: Advanced Photography
    • Art 491: Art Seminar
    • Art 492: Capstone
    • MSU Art Department Writing Style Guide
  • Student Work